Artwork
〈幸子〉Sachiko
BianJiaoPie Studio · bianjiaopie.com
作品說明
本作為一件私人客製創作，源自我與委託人的共同討論與構思。靈感間接來自遊戲《沉默之丘 f》的女主角；由於我未曾親自遊玩遊戲，因此作品並非對原作情節的直接詮釋，而是以委託人提供的角色意象與討論作為起點，延伸出屬於這件作品的視覺語言。
畫中以油桐花與彼岸花相對而置，探索生命由盛放走向凋零、由存在走向消逝的過程。潔白的油桐花與鮮紅的彼岸花，並非單純象徵生與死，而是生命不同階段的映照：一者短暫綻放後飄落，一者盛開於生死交界。人物肌膚上的裂痕，則象徵蛻變所留下的痕跡——破碎並非終結，而可能是另一種形態的開始。作品藉由「幸子」這一形象，凝視生命、死亡與存在之間模糊而無法迴避的界線。
About the Artwork
This privately commissioned work grew out of conversations and shared concept development between the collector and me. Its starting point was indirectly inspired by the female protagonist of the game Silent Hill f. As I have not played the game myself, the painting is not a direct interpretation of its story. Instead, I developed a visual language specific to this work from the character impressions and discussions provided by the collector.
Tung blossoms and red spider lilies face one another, exploring the passage of life from blooming to withering, and from presence to disappearance. The white tung blossoms and vivid red spider lilies do not simply represent life and death; they mirror different stages of life. One falls soon after its brief bloom, while the other flowers at the boundary between life and death. The cracks across the figure’s skin mark the traces left by transformation—breaking is not necessarily an ending, but may be the beginning of another form. Through the figure of “Sachiko,” the work gazes at the blurred and unavoidable boundary between life, death, and existence.
細節
創作記錄
線稿階段先建立人物、花卉與服飾的主要輪廓，再逐步加入色彩、明暗與裂痕，使兩側的盛放與凋零在完成作中彼此映照。
